Books About and Written by Authors with PTSD & CPTSD

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Post-Traumatic Stress Disorder (PTSD) and Complex Post-Traumatic Stress Disorder (CPTSD) are both conditions developed after witnessing or experiencing a traumatic event. For PTSD, it only takes one major event to trigger it. For CPTSD, it is a series of traumatic events that occurred over time. Currently, 3.6% of U.S. adults have PTSD and about a third of these cases have a severe impairment on the lives of those with the condition.

While PTSD and its lesser known counterpart are mostly known within the veteran community, the truth is that it can be introduced at any point by any sudden disturbing event or a series of unrelenting events that culminate over time. The most vulnerable populations to develop PTSD are women, followed closely by veterans, and once more by African American and Hispanic populations.

It’s also the subject of many essays, stories, and books, but can sometimes be misconstrued by those with a limited understanding of it. Thanks to continuing research and understanding about PTSD and CPTSD, our understanding of both conditions has expanded thanks to both science and art keeping the conversation going in the right direction, including highlighting creators who talk about their experiences.

I’m not a scientist (and you don’t want me to be), so my contribution is to find the books written by authors with PTSD and CPTSD that are bold enough to confront both conditions at their strangest, ugliest, and maybe even the odd times when it can bring understanding and good into our perspective.

I have included some entries that do not confirm whether the author has PTSD or CPTSD, but includes valuable information to the community. Those entries will be noted.

If you have a suggestion, especially if you wrote a book that fits this list, don’t hesitate to reach out. All links to books will be to the publisher, an indie bookstore, or Bookshop.org to mitigate Amazon and other predatory retailers as much as possible, though if a book is only available on Amazon, I will make the link available.

I intend to, like my other “Mental Illness Books Written by Those With Mental Illness” Series (unofficial name), to add more books as I find them, but figured this is a good starting place. (Updated January of 2026).

Poetry

A Family Thing by Ashley Elizabeth

This full-length poetry collection explores the trauma of childhood sexual assault, navigating the pain and resilience it takes to achieve solace and a sense of self. It is available from ELJ Editions.

Preverbal by Carroll Beauvais

Preverbal by Carroll Beauvais follows the loss of two parents and the consequences of that trauma for the rest of the speaker’s life. The manuscript was inspired by both What My Bones Know by Stephanie Woo and The Body Keeps the Score by Bessel van der Kolk (the latter a somewhat controversial figure in the space despite the very popular book.).

The interview exploring the collection can be found here.

And For Too LOng After by Ellie White

Launching the narrative with the discovery of a gray hair, the eldest daughter reflects on her life so far, not expecting to have made it this long in life. The rest of the collection asks a simple question: is it possible to move on after a haunted past? Published by Unsolicited Press (buy from indie publishers, please!). Buy it here.

Fiction

Slaughterhouse Five by Kurt Vonnegut

Literary Hub calls it the “ultimate PTSD novel,” so it had to be included in this list. The novel follows Billy Pilgrim, a man who experiences his life out of logical sequence due to his time serving in World War II as a soldier and chaplain’s assistant. Each chapter explores a part of his life, except it shifts the reader from birth, to death, to midlife, to obscure parts of Billy’s life. Billy also confronts his line of thinking after being abducted by an alien race called the Tralfamadorians, though their legitimacy is left ambiguous between a genuine experience Billy has and a coping mechanism for his PTSD. The Tralfamadorians view time all at once as opposed to a linear sequence of events. Vonnegut himself served in the military during World War II and suffered from PTSD as a result. Purchase the classic novel here.

The yellow birds by kevin Powers

The Yellow Birds by Kevin Powers is considered one of the greats of contemporary war fiction for its realistic portrayal of loss of innocence and the coping that follows. The main character, John Bartle, experiences intense guilt over a fellow fallen solider. The novel follows Bartle’s own struggles with depression, darkness, memories, and more. Fragmented syntax and intense imagery mimic the experiences of post-war PTSD throughout the book. Powers himself is an Iraq war veteran and drew from his own personal experiences after returning home from Iraq. Purchase now from Bookshop.org.

Post-Traumatic by Chantel V. Johnson

Long-listed for the Center for Fiction’s First Novel Prize, Johnson’s debut novel came out in 2022. The main character, Vivian, is a wildly successful lawyer who advocates for mentally ill patients at a NYC psychiatric hospital. Privately, she battles her memories of her childhood and the realities of being both Black and Latinx in America. The novel is described as sharp survivor narrative.

I cannot find confirmation that Johnson herself has CPTSD, but her love of Plath and Woolf and her dedication to the characters makes me want to include this book in this list for its dedication and seemingly accurate depiction of CPTSD. Read her PEN America interview here. Purchase it here.

Nonficiton & Memoir

What My Bones Know by Stephanie Foo

What My Bones Know by Stephanie Foo is a memoir about Foo’s own long process with healing from significant childhood trauma. At thirty, she has it all, including a lucrative job but still has panic attacks and crying fits every morning at her desk. Her life should be perfect, yet the complications of healing complex trauma take time, effort, and grace for yourself. In an effort to understand herself and her condition, she pursued the limited information about CPTSD from psychologists and scientists while also investigating the role of immigrant trauma within a community.

My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem is a deep dive into how systematic racism causes trauma to not only Black Americans, but White and “blue” (police) Americans, too. The argument is that white supremacy deeply harms us all, and the solution to uproot deeply seated trauma is to triumph over the rhetoric and somatic pressure the ideology puts us all through and to release it.

Menakem has not confirmed a diagnosis of PTSD, but he is highly knowledgeable with a deep understanding of the systemic issues that contribute to PTSD and how the body holds it. He studied at Peter Levine’s Somatic Experiencing Trauma Institute and teaches workshop on Cultural Somatics.

Invisible Storm: A Soldier’s Memoir of Politics and PTSD by Jason Kander

Highly praised by figures like Wes Moore (author of The Other Wes Moore), Invisible Storm: A Solider’s Memoir of Politics and PTSD by Jason Kander is a frank look at the impact of PTSD even a decade later. Kander was prepped for a landslide victory in his mayoral campaign in Kansas City, but withdrew after experiencing the fallout of undiagnosed PTSD. The rest of the memoir is a candid look at Kander’s efforts to recover and face the hard decision of walking away for his own health.

Read the PBS interview here and purchase it here.

Looking for More Recommendations?

Or do you have one to tell me? Reach out to my Contact page.

Self-Guided Writing Courses To Make You a Better Writer

There are plenty of reasons why self-guided writing courses work for so many writers. Busy, unpredictable schedules are just a fact of adult life. Some people prefer to learn in the comfort of their home or in a bustling cafe on a Sunday morning. Think of the Hermit, the introspective tarot figure that encourages you to look from within for the answers. No matter where you are in your writing journey, there are many options to supplement your education.

For me, self-guided writing courses provided me a space to learn even when I was bedridden from illness and bored or downright lazy. Visualize me in pajamas with a box of store brand tissues by my side, some tissues shoved up my nose, trying to write a poem in a tiny notebook, then you can believe that learning can be done under any circumstances.

Psst…if self-guided writing courses aren’t your jam or jelly, there’s plenty of other writing class options out there, including in-person, live Zoom, or interactive online courses with other participants. Check out ones that offer scholarships and discounts here.

Self-Guided Courses for Writers

LulLabies & Alarms

Elisabeth Blair offers writing classes and workshops that are self-paced through her website Lullabies & Alarms. Self-guided courses are offered on Wet Ink, the platform for creative writing courses. Right now, she is offering a course called “Our Liminal Minds: Writing from Our Own Galactic Outer Rims” that sounds…SO cool. For $100, you can go through the course at your own pace.

You must email her to register for the course.

Muse Writing & Creative Support

Run by Joanna Penn Cooper, Muse Writing & Creative Support offers several courses per season. On occasion, she’ll throw in a self-guided course through Wet Ink that writers can enjoy at their own pace. They often have great angles and themes, so there’s a direction beyond just your typical fiction or poetry workshop. I was a big fan of The Call: A Self-Guided Course on Creative Witness.

While it doesn’t seem like the site has any available right now, keep an eye out for more opportunities to join a self-guided writing course.

Poetry Barn

Poetry Barn has a barnyard full (yes, I had to) of poetry courses, including self-paced writing workshops. You can even filter the options for self-paced courses on the website. You can choose from topics such as Queer Poetics, 30 Poems in 30 Days, Journaling for Poets, and so much more. Click here to explore your options.

Be mindful when you type this into Google to not accidentally click on the Pottery Barn ads. You think I’m kidding. But I am not.

Hugo House

Hugo House offers a plethora of online and in-person courses for people around the world. Based in Seattle, this nonprofit has so many innovative courses to take and enjoy. With that said, there is only one asynchronous writing course, which is the Writer’s Welcome Kit. You can expect online workbooks, excel spreadsheets, and other resources to get started with your publishing journey.

DIY MFA

It is a truth universally acknowledged that MFAs can be competitive, expensive, time-consuming, heartbreaking, or all of the above. If you are fortunate enough to get into an MFA program that is fully-funded and have the time and means to pursue it, do it. But for many, these programs are difficult to get into or inaccessible for many people.

That’s where DIY MFA comes in. Both a book and a company/concept, DIY MFA runs on three main principles: write with focus, read with purpose, and build your community. While not a true “self-guided course,” the book is similar to this journey, including graduate-level techniques and skills you can use to boost your writing. The website has various articles and resources to focus on refining your craft. The Facebook group hosts events every Sunday evening for those who wish to attend, including curated sessions on certain poets, themes, and more.

If you decide to attend an MFA program later, you already have the skills and tools to upgrade your writing and be prepared for in-depth workshop time.

The Artist’s Way by Julia Cameron

Calling this a self-guided course is…bold. I know, I know. It’s more like an experience or a total mind flip. But when writing this blog, how can I NOT include the quintessential artist’s guide to transforming their art, writing, and way of being?

I’ve been seeing this book trending on TikTok even though it was originally published back in 1992. (Yes, that was over 30 years ago.) The verdict is in: it is one of the most influential books for your craft you could own. No matter your craft, any writer or artist can benefit from the gentle affirmations and exercises the book includes.

At the very least, you can take one of its most common and poignant practices: “Morning Pages.” I don’t know of any of my mentors who went a day without morning pages to spill their thoughts and ideas. Give it a try for a week and see how it changes your approach and practice.

Do you Loate Self-Guided Courses? Or JUst Looking for All of your options?

I get it. There are some times in my life when I need someone to be my accountabilibuddy. (Is that the spelling? It’s not a real word, but I’m still concerned.)

If you’re looking for a teacher in the Richmond, Virginia area or are cool with a virtual writing teacher to be your guide, I host many workshops with constructive critiques and personalized feedback from yours truly.

Head on over to my Events & Workshops page to see what I’m currently offering. If you don’t see anything you’d like, reach out to me and we can talk about 1:1 or private workshops for you or bigger groups.

Or if you just want to send me suggestions to add to this list, I’d love to hear from you.

Writer’s Craft: My 2021 in Review and Tips For Writing Goal-Setting in 2022

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Writers are supposed to reflect and reflect often. In college, I had to reflect on my writing in every writing-based class. I still do it when looking at older pieces, ones I haven’t yet placed and ones that have been published for a long time. What was my process? Did I even have one? Does it matter if there is one? What about my long and short term goals for my writing?

I take part in the 100 Rejections Challenge, a challenge for writers to be, well, rejected from literary journals, fellowships, scholarships, and anything else in our wheelhouse at least 100 times. There are no extra zeroes, you are reading the correct amount. When I announced my total rejections for the year — 90 as of today, but there’s always a chance within the next two days that I will get 100 — I mostly got encouraging responses about my perseverance, how people couldn’t understand how I could do it. I took a moment to remember how just a few years ago, any rejection would have crumbled my self-esteem. Today, I get “No, thank you” repeatedly…for fun. You could say my process is simply being very annoying, and I would not disagree.

Towards the beginning of December, I read If You Want to Write by Brenda Ueland. I picked it up one day on a whim at Second & Charles and read it out of impulse. I’m not familiar with any of Ueland’s other work, and I saw plenty of problematic or privileged takes in some sections of the book. Thankfully, most of the advice in the book is universal and could have been written today, such as this:

“The only good teachers for you are those friends who love you, who think you are interesting, or very important, or wonderfully funny….And if you have no such friend,–and you want to write,–well, then you must imagine one. “

Brenda Ueland

Without context, the quote can seem like it’s pointing towards finding those that only fill your ego, the ones that are “yes people” and will say anything to please you. However, when relating to my own writing journey up to this point, the most helpful teachers have been the ones that encouraged me in some way. Simply pointing out things that they liked, miniscule, microscopic moments I wouldn’t have thought mattered at all that they asked me to elaborate on further in my writing, was enough to explore other avenues in the revision process. Those who picked them apart like vultures did the opposite. For writers like me, it makes you want to leave your works in progress out to rot and hope that the scavengers take every part of it away, like it never happened.

A couple of times this year, the rejections did hit harder, because I was so close to getting an acceptance, only to be a semi-finalist, or to be the one they told they didn’t have enough room for them in their collections. Then there has been the journey with not one, but two poetry manuscripts that get so close to being chosen, only to not find a home. So encouraging, yet so crushing at once. Somehow those hurt more, but also spur more motivation and action once the grieving period is over.

But hanging onto the parts of the encouraging rejections that have the energy of the TikTok sound “Go Little Rockstar” keeps everything running, another day, another try.

Setting concrete goals, such as getting 100 rejections or a certain word counts can help you realize how much you can and do achieve, especially if you are someone like me and are especially hard on yourself. Thanks to my rejection goals, including submissions from 2020 that weren’t accepted until 2021, I was able to publish a lot more creative writing than I initially thought I did this year.

2021 Poetry

Plainsongs – “Gonna Tell My Kids”

Flora Fiction – “Pandemica VII”

Heart of Flesh Literary Magazine, Issue 6 – “a·poc·a·lypse”

Headlight Review – “Refuge” (forthcoming in 2022)

Sheila-Na-Gig Online – “Projection”

2021 Prose

Monstering Magazine – “Rating Suggested Cures for My Various Mental and Chronic Conditions”

YourTango – “You Don’t Actually Care About My Health If You Congratulate Me On My Unhealthy Weight Loss”

The Mighty – “Targeting ‘Illness Fakers’ Doesn’t Help Disabled People”

Setting Writing goals for 2022

Want to keep track of your goal(s)? I tend to use phone apps or simple Excel spreadsheets to keep track of where and when I’m submitting. I make a new one every year to keep track of the number of rejections. In a few days, I will reset with another one. If 100 rejections is too intimidating, start with smaller numbers. Raise your goal once you surpass smaller milestones.

If there’s anything you should take away from this, it’s to set yourself up for success in the new year by embracing a lot of failure.